What is travel? It is to be sure a straightforward question, which is rather more often than not replied in an extremely complex way. They say "Travel" is a development of a man o group of people starting with distant geographical location another that can combine moving via foot or any kind of vehicle, with or without baggage, for a sensible or a preposterous excursion of either short or more stays at inaccessible spots. Yet, in genuine, travel is movement of your heart, revival of your spirit. Also, inside and out, travel is the thing that you need, is what we call happiness.

Be that as it may, to accomplish this satisfaction, to meet what you require, there are different ground level substances you have to go up against, know and plan as needs be. This may inconvenience you at some point, may request a considerable measure of your time and endeavors. Here, comes in the part of an expert travel operator, who can understand your prerequisites and can adhere to your financial plan to as needs be draft a superbly appropriate excursion get ready for you. It is the essential of life to improve your existence with go the world over, however also, it is critical to locate a right travel operator to help you understand your travel dreams and transform your arrangement into recollections. You can discover a portion of the best travel operators in Delhi. 


However, to achieve this happiness, to meet what you need, there are various ground level realities you need to confront, know and plan accordingly. This may trouble you sometime, may demand a lot of your time and efforts. Here, comes in the role of a professional travel agent, who can understand your requirements and can stick to your budget to accordingly draft a perfectly suitable travel plan for you. It is the requisite of life to enrich your life with travel around the world, but moreover, it is important to find a right travel agent to help you realize your travel dreams and turn your plan into memories. You can find some of the best travel agents in Delhi for Holiday Packages in India .


There are some travel agencies in Delhi NCR, which are widely familiar for their expertise in planning customized tours and handling the travel stress, by taking the responsibility of answering all it needs, whether it’s about booking the best suitable flight or suggesting the best hotel based on your interest. With the help of a travel agency in Delhi, India, you won’t only explore and have experience, but will eventually fall in love with traveling. Because, you will only have the relaxation, suitability and happiness to experience, and none of hassles expected from holiday plans.

Therefore, just consult a travel agent and open your heart to embrace the whole world, go the furthest you can, unveil the extreme you can and live the most you want. And that’s not enough, that’s not all you get after leaving all your travel worries on a travel agency and heading to your destination. Travel makes you learn more, turns you wise and hence a better yourself. Because, it purifies your mind, brings you closer to humanity, broadens your thoughts and makes you understand life better.

Kind sure that next time you dream of a place, likes a place in a photograph on the internet, you won’t barricade your dreams, and instead you contact a travel agency in Delhi to share your dream. It’s good-looking to see the beauty of the world and capture it in your memories. 


 
Cityscape of Shahjahanabad (Old Delhi)


Shahjahan forced his own dream on the new capital, its cityscape centered on the organizations of the ruler and his nobles. Along these lines it took after to Isfahan, the capital of the Safavids which was planned by the Safavid ruler Shah Abbas at the end of the sixteenth century. The zone of Shahjahanabad was much bigger than any of the prior urban communities of the Sultans of Delhi or some other rulers on the sub - landmass. The development deal with the site initiated under the supervision of two prestigious designers Ustad Ahmad and Ustad Hamid.

Be that as it may, Shahjahan kept a nearby watch on the whole venture including the areas and building arrangements of the manors of the grandees of the realm. Following two weeks, when introductory spate work was finished, sovereigns and high - positioning nobles likewise got plots of area so work may likewise begin on t beneficiary houses. Chip away at the royal structures was conveyed under the supervision of three subadars – Ghairat Khan, Allah Vardi Khan and Makramat Khan


. At the point when at long last finished the city was eminent and it was viewed as one of the biggest and most populous city on the planet. Muhammad Salih is all commendation for the city and opines that neither Constantinople nor Baghdad could contrast and Shahjahanabad which needed none of the comforts of life. Town arranging The Mughal heads were consummate experts of t own arranging particularly Shahjahan who had an exceptionally developed tasteful sense?

 He arranged everything on a vast and respectable scale. Much sooner than Paris set the design (1670 AD) of having the vital lanes of the city flanked with streets, and boulewar ds turned into the appealing components of the cutting edge towns in present day Europe, Shahjahan had arranged in 1638 a lovely bouleward in the Chandni Chowk of Delhi. It had a stamped likeness with Unturned - Linden in Barlin established by Fredrick the Great around 1740, the 'most terrific case of a bouleward in Europe'. 

The arrangement of Shahjahanabad reflects both Hindu and Islamic impacts. It appears to have taken after a configuration from Manasara, an old treatise on engineering which contains a semi - circular outline called karm uka or bow for a site fronting a stream or seashore. There was, be that as it may, a variety concocted in it that on the most promising spot i.e. the point of the two primary roads, the spot was possessed by the royal residence - post. In the first karmuka arrangement the most favorable spot in a settlement was to be involved by a sanctuary. 

The choice of karmuk plan typically recommends the force of the lord. The arranging of Shahjahanabad additionally mirrors the conventional Islamic city arrangement. As indicated by it the idea of the city lies between the two shafts – man and universe – and that fuses the typical standards of both. The city drew on the pictures of men and universe in a typical structure. The arrangement of the city was likewise seen to imitate the life systems of men which 'contained every one of the potential outcomes of the universe inside himself'.[8] Elements of cosmological idea of the city discovered vogue in the working of the Iranian designers of Shahjahan's court. As Blake opines the walled city 'symbolized the universe and the eight entryways the four cardinal headings in addition to the four doors of paradise.'

The City Walls and Gates the city was sustained on three sides by a solid divider and the fourth – on the eastern side – incompletely by the Fort and mostly by the divider. The northern mass of the city amplified only seventy five percent of a mile from the Water Bastion in the east to the Mori Bastion in the west. It was enclosed by an enormous divider more than 8 meter high and 3.5 meters wide. The aggregate length of the dividers surpassed 9 kilometers. The divider was surmounted by twenty - seven towers and sprinkled with various huge doors and gateways at normal interims. 



The major portals indicated the bearing of the critical spots and districts of the realm, for example, Lahori Gate, Kashmiri Gate, Ajmeri Gate, A kbarabadi Gate, and so forth. Towards the waterway, where Rajghat and Nigambodh ghat are found, littler entryways were accommodated the Hindu occupants of the city to visit their places of love and perform stately capacities. Neglecting these entryways were chaukis (posts) and quarters for the security work force. There were two hillocks inside the range encased by the fortification. On one of these, known as Bhujalal pahari, was developed the Jami' Masjid. It is around 500 meters south - west of the fortification. The Palace - fortification The Palace - stronghold of Shahjahan, called the Qila - i Mubarak (propitious Fort, prevalently known as Lal Qila) was an overwhelming structure which took nine years to finish. As indicated by the French voyager Bernier it was 'the most sublime castle in the East – maybe on the planet'.

It is based on a bigger and much thorough scale than whatever other of its kind. It was the living arrangement of the ruler, furthermore the seat of the legislative as divider as social exercises, and contained an assortment of structures, along these lines shaping a city inside city. In all there were 32 structures in the castle - post. The degree of the mass of the royal residence - fortification comes to around 3 kilometers, and it encases a zone of around 124 sections of land, which is double the extent of the fortress at Agr a. It is almost a normal parallelogram with the points somewhat inclined off. The high dividers are mitigated at interims with towers surmounted by shapely stands. A great many stone - cutters, artisans, stone carvers, craftsmen, planter - planners, and others cr aftsmen took a shot at it. The craftsmanship was of such a request, to the point that, as Muhammad Salih comments, 'a sharp nail couldn't be pushed between the stones of the structures'. 

A vast canal, 23 meters wide and 9 meters profound encompassed the fortification. It was confronted with harsh stone, and loaded with water. Furthermore, as Bernier lets us know, it served to assist seclude and ensure the magnificent family unit. The royal residence post was isolated from the city legitimate by three gardens to be specific Buland Bagh, Gulabi Bagh, and Anguri Bagh. None of these can be seen any more.

The royal residence post had four gigantic doors: Lahori Gate confronting Chandini Chowk was the main passageway. Behind its profound recessed entry was a monstrous vaulted lobby which opened into a patio. The lobby was associated with a square - molded structure,called naubat - khana through a secured passageway. Shops were built on both sides of the passage and broad extravagance things were accessible here.

 It suited the whole illustrious flats, royal residence, and structures. Outside it wer e found the quarters, for the equipped retainers and buildings for incidental purposes. An imperative building was Diwan - i Am , a vast structure measuring around 61 meters by 24 meters. It was partitioned into two sections with a marble baldachin (overhang) set into specialty in the eastern divider confronting the window. The corner was initially enhanced with valuable stones. The whole surface of the building was secured with fine shell plasterand ivory shine which gave it the similarity of marble structure. The essential buildi ngs in the Palace Fortress Interior of the post was separated into two rectangles.

The collection of mistresses and private condo involved the entire range eastbound of the bazaar. There used to be no less than six marble structures transcending the defenses and bestowing i t a beautiful appearance to the front through their overhangs, oriel windows, and turrets. The biggest structure in this gathering was Rang Mahal. To its north was found the Aramgah (resting quarters). The quarters for the dowagers and wards of the for mer rulers inside the post were situated in a spot called Khawaspura. Contiguous Rang Mahal was Diwan - i Khas. It was unquestionably the most ornamented working of Shahjahanabad.

It was decorated with inlay of precious stones. Only selected grandees were allowed admission in this building. The imperial fortress contained thousands of persons that included, apart from the household troops of the emperor, merchants, artisans, servants, painters, musicians, and secretarial staff and many more. It also contained workshops, stables, stores, treasury, mint, and weapons. The palace fortress was, thus, a city in miniature as it contained all the elements of a town or city, and it served as the model for the city. The layout of the streets in the city was also in the similar fashion as it was within the fortress. The Jharokha On the eastern wall of the fort on the riverfront a delicately carved structure (jharokha) was devised where the emperor showed himself every day in the early morning to the people who gathered there in large numbers. Later in the day the contingents of noblesand the rajas passed in review. 

The early morning ritual of appearing on the balcony, jharokh - darshan as it is called, had great significance as it brought the emperor in direct contact with his subjects especially the Hindus, ‘enfolding them into the great household that was empire’. Any person, even the meanest or the poorest, could participate in this ritual. This ceremony inspired tremendous awe and respect in the heart of his audience. The Mughal rulers understood the value of the ritual and this custom was followed. The ceremonial in the audience halls strengthened the ties of patron - client relationship. The Important places and bazaars in the city 

The most important road was one connecting the Lahori Gate of the city wall and the Lahori Gate of the palace - fortress with a minor diversion near the Fatehpuri mosque. The Nahr - i Faiz.  flowed through the centre of the road between the Fatehpuri mosque and the palace - fortress, and a squar e was constructed around the central part of the canal. The beautiful reflections on the moonlit nights soon gave it the popular name Chandni Chowk. It is apparent that Chandni Chowk was laid, though on a large scale, on the same plan on which chamans or f lower gardens are arranged in front of the Mughal palaces.

Both sides of the road were lined with the trees and more than 1500 shops on it, which were either owned by Princess Jahan Ara or Nawab Fatehpuri Begum (one of the queens of Shahjahan). Starting from the side of the palace - fortress the markets were called Urdu Bazar, Jauhri/ Asharfi Bazar and then Fatehpuri Bazar. Another straight road connected the Akbarabadi Gate of the palace - fortress with the Akbarabadi Gate (now called the Delhi Gate) of the city wall, and the market here was called the Faiz Bazar. On the road too the Nahr - i Faiz flowed through the centre and both sides of the road were strewn with shops. It is now known Darya Ganj. This road was joined, near the fortress by the road coming from the Kashmiri Gate, on which the main sections of the havelis and mansions of the nobility located. Yet another straight road came from the Kabuli Gate, running parallel in the north to the Chandni Chowk, it joined the Kashmiri Gate road. The Palaces and Mansions of the Nobility In the social hierarchy the position of the members the ruling class was next to the emperor. 

They tried to imitate the imperial establishments in all its departments, though at a much lower scale. Thus, the common features that could be located in these palaces and mansions include naqqar - khana (drummer’s chamber), provision of the token - force of armed retainers, gardens, and the harem or the residential apartments for the family of the nobles. These mansions were, however, not the private property of the nobles and could be acquired by the state any time. The residences of the rich merchants and hakims, most of these were havelis or multi - storied structures, were their private properties. The palaces and mansions of the princes and great nobles dominated the cityscape of Shahjahanabad. The residential complexes were surrounded by high walls and they contained gardens, and beautiful apartments. The account of William Franklin of the mansion of a great noble Khan - i Dauran, the wazir of Muhammad Shah during the eighteenth century, provides an idea of the ‘size and the complexities’ of the residences of these nobles. Generally a lofty gateway (also called the naqqar khana) housed the soldiers of the daily guard and the household musicians. A large forecourt surrounded by a row of rooms under an arcade lay immediately inside. It contained places for the soldiers and servants of the household and for the horses, elephants, and attendants of visitors. 

They also contained apartments for servants, clerks, artisans, soldiers, store rooms for different commodities, record offices, treasuries, workshops and so on. The living quarters of the princes and amirs used to be in the inner quadrangle, which was separated from the public area by a high wall. 

These mansions were quite large and some of these have space for thousands of people. They were so vast that as Muhammad Salihfiguratively says ‘in the courtyard of each one the area of a city is empty’. As Blake remarks, ‘By virtue of their size and population, these mansions dominated the sectors of the city just as the palace - fortress dominated the urban area as a whole.’ These households also dominated the urban economy and the process of consumption as well. The Gardens Besides the walled area the urban complex extended several miles into the countryside. As Bernier tells us these suburbs were interspersed with extensive gardens and open space. 

The gardens occupied an important place in the plan and build of the city in Islamic tradition which was introduced here more markedly by the Mughal rulers. Mughal gardens were rectangular, surrounded by high walls broken by gateways, and topped with towers. These were cut by four swiftly flowing canals which divided them into four sections and this devis e endowed them the name chahar bagh. On three sides Shahjahanabad was surrounded by several gardens and mansions of the Mughal princes and nobles. Mention may be made here of Shalimar Bagh, Mubarak Bagh, Roshanara Begum’s Bagh, Talkatora Bagh, and Kudsia B agh. The plan of Shahjahanabad followed that of the palace - fortress. Like it the city was divided into two parts. 

The palace was the exclusive area and the seat of power. The rest of the urban area was the centre of widespread activities. The streets and m arkets also followed the pattern of the palace - fortress. The planning of the city of Shahjahanabad was done in a manner that it symbolizes the hold of the ruler in many ways. However, Shahjahanabad was not solely dependent on the emperor for its growth or sustenance. The urban communities retained ‘their own distinctive style and character’. This is the reason that in spite of the decline in the power of the Mughal emperor from the middle of the eighteenth century Shahjahanabad continued to flourish as a busy commercial centre.

The culture it had evolved continued to thrive. One can see strong traces of this even today in the walled city. - The Mughal Emperor Shah Jahan (whose rule was the zenith of Mughal architectural brilliance) by 1637 A.D. began to realize the paucity of space in the Agra and Lahore courts to conduct royal ceremonies properly. By the year 1639 A.D. he decided to lay the foundation stone for a new capital of his kingdom which would be known as Shahjahanabad. The site of Shahjahanabad is north of earlier cities of Delhi; its southern part overlaps some of the area settled by the Tughluqs in 14th century. Delhi had always remained an important place for the Mughal kings (before Shah Jahan), who built palaces and forts here. 

Architecture - The architecture of the city of Shahjahanabad is something which cannot be described in a paragraph or two. It was a detailed city (rectangular in shape) (built on the banks of River Yamuna, which has now changed course) with many architectural and visual marvels. The main pa lace (or citadel) in which the emperor Shah Jahan and the succesive rulers of the Mughal Dynasty lived until 1857 A.D. was known as the Lal Qila (Red Fort). It was called so because of its Red Sandstone walls (Initially the walls were being made of mud unt il Shah Jahan ordered them to be decorated with red sandstone). The fort covers approximately 125 acres of land. 

The Red Fort itself is a World Heritage Site which speaks volumes about the beauty of its buildings and pavilions. Some of the well-known and most beautiful sections of the Red Fort and Shahjahanabad were the emperor's private area which housed various pavilions like the Diwan e Khas (Hall for Private Audience), Rang Mahal, Mumtaz Mahal (which has now been converted into a museum), Moti Masjid ( Pearl Mosque) (it was the private mosque of Emperor Aurangzeb (Shah Jahan's successor) etc. 

The most enthralling part of the private quarters was the Nahr e Behisht (Stream of Paradise) which was a man made channel of water (drawn from the river Yamuna). This channel of water had flown through the middle of the main pavilions of Diwan e Khas , Rang Mahal and the emperor's private apartments. It was loaded with rose petals, incense e.t.c. so that it would not only cool the halls but also make the air rich with fragrance.


The city of Shahjahanabad as such had eight gates which were locked during night time (in the 17th, 18th and the 19th century). The city had many bazaars, some of which exist even now, for example Khari Baoli (which is today Asia's large st wholesale spice market). The area of Chandni Chowk (Moonlit Square) (which was also the main street of Shahjahanabad) had many bazaars as well. Some shops in this area are several centuries old! Other important monuments in Shahjahanabad are Ghalib ki Haveli (the house of famous poet Mirza Ghalib), Jama Masjid (Friday Mosque) (an imposing mosque made of Red Sandstone), St James Church (First Church of Delhi), Sunehri Masjid, Gurdwara Sis Ganj e.t.c. 

Decline - After the fall of the Mu ghal Empire post 1857 revolt, the British Empire shifted the capital of India, to a more (security - wise) stable Calcutta (Kolkata), where it remained till 1911 (when they came back to Delhi). After quelling the 1857 revolt the Britishers built a military g arrison inside the Red Fort and evicted the 3000 people (approximately) who were living there at that time and destroyed many of the presidential palaces. To be frank the city of Shahjahanabad (now better known as Old Delhi) never actually declined. The focus simply shifted from being an administrative capital city to being an area for trade and commerce (which it remains till date), with many large wholesale markets coming up in the mid-19th century. These markets like Chawri Bazar (hardwa re market est 1840), Phool Mandi (Flower Market est. 1869) etc. exist till date.
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The Reflection of Mughal Imperial Power in the Cityscape of Shahjahanabad

The   imperial   capital   Shahjahanabad   was   built   by   Mughal   Emperor   Shahjahan   (1628-58) between 1639 and 1648 and it spread out over a large area along the banks of river Yamuna in the southeastern arts of the Delhi triangle. The out spurs of the Aravalli range reaching deep into the great
alluvial plains of north India have their terminal point in the Delhi Ridge which  afforded  natural  protection  to  the  city  from  erosion  by  the  river  Jamuna. Thus, heights for commanding positions,
rocks  for  stone - quarries, and the river for water supply were the  factors which should  have  combined  to  attract  Shah  Jahan  for  the  creation  of  his capital city that virtually overlapped the cities of Sher Shah and Firuz Shah. Other reasons for selecting Delhi were that it enjoyed a reputation as the imperial city and served as the capital of the Muslim rulers for about three hundred years. It also acquired an aura of sanctity as a religious center.
Shahjahanabad as the exempl ar of the sovereign city model this theory was propagated by Stephen P.  Blake. According to him like many other capital cities such as Istambul, Isfahan,Tokyo, and Peking, Shahjahanabad was also the ‘exemplar’ of the sovereign city model. The sovereign city, Blake opines, was the ‘capital of the patrimonial –bureaucratic empire, a type of state which characterized the Asian empires from about 1400 to 1750...The patrimonial – bureaucratic  emperor  dominated  the social, economic, and  cultural life of the city , and he dominated its built form as well. Blake further explains that from the micro perspective the sovereign city was an enormously extended patriarchal   household, and the center of power lay in the imperial palace fortress.
The city was  an extension of  the  imperial  mansion as the layout of the  buildings and gardens, and  the  shops in  the city copied  the layout of the buildings  within  the  palace complex. Similarly the organization of production and exchange in the city, by and large, followed the same system as was prevalent in the palace - fortress. In respect of social interaction of the inhabitants of the city also the imperial palace set the model. From the macro- perspective the sovereign city was the kingdom in miniature.

The emperor intended that his command of the city in respect of power, obedience, resources, and influence should be ‘symbolic’ of the influence that he and his subordinates exercised over empire.
The structure of society in the sovereign cities, states Blake, also followed the pattern prevalent in the imperial palace.
There was a pattern-client relationship between the emperor and his nobles, then between the nobles and the members of their household bound the city in a kind of vast extended family. These ties were reviewed and strengthened in the daily rituals of the palace fortress. The cultural life also revolved round the households of the emperors, princes, and great nobles who were well versed in the various arts and crafts, and they provided patronage to arts and crafts, literature, painting, music, and architecture.

Whether these characteristics were present in Shahjahanabad, and the city reflected the power of the Mughal emperor, or how much influence the ruler exercised on the inhabitants of the city is a subject of discuss on amongst the scholars. One may point it out here that the great cities in Mughal India were not merely princely camps as Max Waber has visualized on the basis of the account of the French traveller Bernier. Instead they had a logic and structure of their own. There were certain principles that guided their construction that manifested the power of the ruler in various ways. The capital stood as a symbol of his power and wealth. The planning of Shahjahanabad, undoubtedly, reflected the power of the ruler as many other cities of medieval India, but it also had certain distinguishing features denoting an independent urban growth in many respects. 

Dominating ideas in the founding of Shahjahanbad Shahjahan had most intense interest in architecture. He replaced many of the structures of Akbar’s period in sandstone in the palace fortress of Agra with those of his own design in marble. As Muhammad Salih Kamboh, a contemporary historian tells us, during his daily darbar nobles and princes exhibited their plans for buildings and gardens, and he also used to see in the evening the designs of buildings which were under construction.

In 1639 he decided to found a new capital not only for the reason that he wanted to distinguish himself from his predecessors, it was a lso because due to erosion the scope for the expansion of the imperial capital Agra became difficult, and on festive occasions it was difficult to manage the crowd in the palace - fortress and so on. 


Cityscape of Shahjahanabad

Shahjahan instructed the architect - planners and astrologer s to select a site for his new capital and his choice fell on a spot in the Delhi triangle where the spurs of Aravalli controlled the course of the river Yamuna in such a way that it would not change. In order to understand the founding of Shahjahanabad one has to take into account the fact that Mughal rulers conceived the city as the meeting place of the heaven and earth. Their belief originated in accordance with the traditional theories of Islamic architecture, which held that the city lay between the two major poles of man and the cosmos, and incorporated the principles of both. The city was therefore a sacred center that was considered ‘to encompass the empire and the universe’. 

It was ‘an organic analogy that controlled the plan and functioning of the urban system’. Accordingly the emperor also had a hallowed significance; he was the ‘symbolic centre of a nested hierarchy: city, empire and universe.’ This view is reflected in contemporary historian Muhammad Salih’s comment that the four walls of Shahjaha nabad ‘enclosed the centre of the earth’. These ideas were not merely confined to the Islamic architecture only, Hindu architects and builders also nurtured the belief that the capital city was located at the centre of the kingdom, the palace - fortress at the centre of the city, and the throne of the king at the centre of the universe. Many of them were associated with the construction activities of Shahjahanabad. 

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